Author: dyingst

The Rime of the Ancient Mariner

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PART IV
‘I fear thee, ancient Mariner!
I fear thy skinny hand!
And thou art long, and lank, and brown,
As is the ribbed sea-sand.

I fear thee and thy glittering eye,
And thy skinny hand, so brown.’—
Fear not, fear not, thou Wedding-Guest!
This body dropt not down.

Alone, alone, all, all alone,
Alone on a wide wide sea!
And never a saint took pity on
My soul in agony.

The many men, so beautiful!
And they all dead did lie:
And a thousand thousand slimy things
Lived on; and so did I.

I looked upon the rotting sea,
And drew my eyes away;
I looked upon the rotting deck,
And there the dead men lay.

I looked to heaven, and tried to pray;
But or ever a prayer had gusht,
A wicked whisper came, and made
My heart as dry as dust.

I closed my lids, and kept them close,
And the balls like pulses beat;
For the sky and the sea, and the sea and the sky
Lay dead like a load on my weary eye,
And the dead were at my feet.

The cold sweat melted from their limbs,
Nor rot nor reek did they:
The look with which they looked on me
Had never passed away.

An orphan’s curse would drag to hell
A spirit from on high;
But oh! more horrible than that
Is the curse in a dead man’s eye!
Seven days, seven nights, I saw that curse,
And yet I could not die.

The moving Moon went up the sky,
And no where did abide:
Softly she was going up,
And a star or two beside—

Her beams bemocked the sultry main,
Like April hoar-frost spread;
But where the ship’s huge shadow lay,
The charmèd water burnt alway
A still and awful red.

Beyond the shadow of the ship,
I watched the water-snakes:
They moved in tracks of shining white,
And when they reared, the elfish light
Fell off in hoary flakes.

Within the shadow of the ship
I watched their rich attire:
Blue, glossy green, and velvet black,
They coiled and swam; and every track
Was a flash of golden fire.

O happy living things! no tongue
Their beauty might declare:
A spring of love gushed from my heart,
And I blessed them unaware:
Sure my kind saint took pity on me,
And I blessed them unaware.

The self-same moment I could pray;
And from my neck so free
The Albatross fell off, and sank
Like lead into the sea.

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Saigyo

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In my limited experience of Japanese poetry, Saigyo, a monk writing during the 12th century is by far my favorite poet. A few selections, again from Carter’s Traditional Japanese Poetry:

Spring

On a roadside
next to a clear flowing stream
in a willow’s shade
I stopped–for a moment, I thought–
but ended up staying on

Autumn

It creates a heart
even in those among us
who think of themselves
as indifferent to all things–
this first wind of autumn.

Spring. Written when people were composing on the topic “Blossoms Falling in a Dream” at the home of the Kamo Virgin:

In a dream I saw
the winds of spring scattering
the cherry blossoms–
and after I woke, the sound
was still rustling in my breast.

Winter. “Leaves falling at dawn”:

Raindrops, I first thought
as I lay awake in my bed–
but what I heard
was the unbroken patter
of leaves giving in to storm winds.

A Musical Instrument

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A Musical Instrument
Elizabeth Barrett Browning

I.
WHAT was he doing, the great god Pan, 
    Down in the reeds by the river ? 
Spreading ruin and scattering ban, 
Splashing and paddling with hoofs of a goat, 
And breaking the golden lilies afloat 
    With the dragon-fly on the river. 

II.
He tore out a reed, the great god Pan, 
    From the deep cool bed of the river : 
The limpid water turbidly ran, 
And the broken lilies a-dying lay, 
And the dragon-fly had fled away, 
    Ere he brought it out of the river. 

III.
High on the shore sate the great god Pan, 
    While turbidly flowed the river ; 
And hacked and hewed as a great god can, 
With his hard bleak steel at the patient reed, 
Till there was not a sign of a leaf indeed 
    To prove it fresh from the river. 

IV.
He cut it short, did the great god Pan, 
    (How tall it stood in the river !) 
Then drew the pith, like the heart of a man, 
Steadily from the outside ring, 
And notched the poor dry empty thing 
    In holes, as he sate by the river. 

V.
This is the way,’ laughed the great god Pan, 
    Laughed while he sate by the river,) 
The only way, since gods began 
To make sweet music, they could succeed.’ 
Then, dropping his mouth to a hole in the reed, 
    He blew in power by the river. 

VI.
Sweet, sweet, sweet, O Pan ! 
    Piercing sweet by the river ! 
Blinding sweet, O great god Pan ! 
The sun on the hill forgot to die, 
And the lilies revived, and the dragon-fly 
    Came back to dream on the river. 

VII.
Yet half a beast is the great god Pan, 
    To laugh as he sits by the river, 
Making a poet out of a man : 
The true gods sigh for the cost and pain, — 
For the reed which grows nevermore again 
    As a reed with the reeds in the river. 

Woodworker’s Ballad

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Woodworker’s Ballad
Herbert Edward Palmer

ALL that is moulded of iron
Has lent to destruction and blood;
But the things that are honour’d of Zion
Are most of them made from wood.

Stone can be chisell’d to Beauty,
And iron shines bright for Defence;
But when Mother Earth ponder’d her duty
She brought forth the forest, from whence

Come tables, and chairs, and crosses,
Little things that a hot fire warps,
Old ships that the blue wave tosses,
And fiddles for music, and harps;

Oak boards where the carved ferns mingle,
Monks’ shrines in the wilderness,
Snug little huts in the dingle,
All things that the sad poets bless.

King Arthur had a wood table;
And Our Lord blessed wood; for, you see,
He was born in a wooden stable,
And He died on a wooden tree;

And He sailed in a wooden vessel
On the waters of Galilee,
And He work’d at a wooden trestle
At His wonderful carpentry.

Oh, all that is moulded of iron
Has lent to destruction and blood;
But the things that are honour’d of Zion
Are most of them made from wood.



Good Friday

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Good Friday
By Christina Rossetti

AM I a stone and not a sheep
That I can stand, O Christ, beneath Thy Cross,
To number drop by drop Thy Blood’s slow loss,
And yet not weep?

Not so those women loved
Who with exceeding grief lamented Thee;
Not so fallen Peter weeping bitterly;
Not so the thief was moved;

Not so the Sun and Moon
Which hid their faces in a starless sky,
A horror of great darkness at broad noon—
I, only I.

Yet give not o’er,
But seek Thy sheep, true Shepherd of the flock;
Greater than Moses, turn and look once more
And smite a rock.

The Donkey

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The Donkey
G.K. Chesterton

When fishes flew and forests walked
   And figs grew upon thorn,
Some moment when the moon was blood
   Then surely I was born.

With monstrous head and sickening cry
   And ears like errant wings,
The devil’s walking parody
   On all four-footed things.

The tattered outlaw of the earth,
   Of ancient crooked will;
Starve, scourge, deride me: I am dumb,
   I keep my secret still.

Fools! For I also had my hour;
   One far fierce hour and sweet:
There was a shout about my ears,
   And palms before my feet.

The Song of Callicles

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The Song of Callicles
Matthew Arnold

Through the black, rushing smoke-bursts,
Thick breaks the red flame.
All Etna heaves fiercely
Her forest-clothed frame.

Not here, O Apollo!
Are haunts meet for thee.
But, where Helicon breaks down
In cliff to the sea.

Where the moon-silver’d inlets
Send far their light voice
Up the still vale of Thisbe,
O speed, and rejoice!

On the sward at the cliff-top,
Lie strewn the white flocks;
On the cliff-side, the pigeons
Roost deep in the rocks.

In the moonlight the shepherds,
Soft lull’d by the rills,
Lie wrapt in their blankets,
Asleep on the hills.

—What forms are these coming
So white through the gloom?
What garments out-glistening
The gold-flower’d broom?

What sweet-breathing Presence
Out-perfumes the thyme?
What voices enrapture
The night’s balmy prime?—

’Tis Apollo comes leading
His choir, The Nine.
—The Leader is fairest,
But all are divine.

They are lost in hollows.
They stream up again.
What seeks on this mountain
The glorified train?—

They bathe on this mountain,
In the spring by their road.
Then on to Olympus,
Their endless abode.

—Whose praise do they mention:
Of what is it told?—
What will be for ever.
What was from of old.

First hymn they the Father
Of all things: and then,
The rest of Immortals,
The action of men.

The Day in his hotness,
The strife with the palm;
The Night in her silence,
The Stars in their calm.

Farewells from Paradise

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Farewells from Paradise
Elizabeth Barrett Browning


River-spirits
HARK! the flow of the four rivers—
Hark the flow!
How the silence round you shivers,
While our voices through it go,
Cold and clear.

A softer voice
Think a little, while ye hear,
Of the banks
Where the willows and the deer
Crowd in intermingled ranks,
As if all would drink at once
Where the living water runs!—
Of the fishes’ golden edges
Flashing in and out the sedges;
Of the swans on silver thrones,
Floating down the winding streams
With impassive eyes turned shoreward
And a chant of undertones,—
And the lotus leaning forward
To help them into dreams.
Fare ye well, farewell!
The river-sounds, no longer audible,
Expire at Eden’s door.
Each footstep of your treading
Treads out some murmur which ye heard before.
Farewell! the streams of Eden
Ye shall hear nevermore!

Bird-spirit
I am the nearest nightingale
That singeth in Eden after you;
And I am singing loud and true,
And sweet,—I do not fail.
I sit upon a cypress bough,
Close to the gate, and I fling my song
Over the gate and through the mail
Of the warden angels marshall’d strong,—
Over the gate and after you!
And the warden angels let it pass,
Because the poor brown bird, alas,
Sings in the garden, sweet and true.
And I build my song of high pure notes,
Note over note, height over height,
Till I strike the arch of the Infinite,
And I bridge abysmal agonies
With strong, clear calms of harmonies,—
And something abides, and something floats,
In the song which I sing after you.
Fare ye well, farewell!
The creature-sounds, no longer audible,
Expire at Eden’s door.
Each footstep of your treading
Treads out some cadence which ye heard before.
Farewell! the birds of Eden
Ye shall hear nevermore!

More Japanese Poetry

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Again, from Carter’s Traditional Japanese Poetry

Sugawara no Michizane

Idle Thoughts on a Winter Night

Beneath eaves of white thatch, before the hearth–
the servant boy who was at my side leans against the wall, asleep.
My calendar says only a month of winter remains–
which means I have been magistrate here now for three years.
By nature I don’t like wine–but sorrow it hard to dispel;
with my heart set on poems, I cannot conduct government.
So with a thousand thoughts about my plight I sit–
while beyond the window the sky announces dawn’s approach.

An anonymous poet, from the Spring sequence of Kokinshu

It is not as though
springtime came to some villages
and not to others.
Why then may we see flowers
blooming and failing to bloom?

Another poem from the same sequence, by Tsurayuki

Observe how the haze
of spring spread its gauzy mantle
on Miwa Mountain:
might flowers be blooming there
of which men have no knowledge?

Thanatopsis

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Thanatopsis
William Cullen Bryant

To him who in the love of Nature holds   
Communion with her visible forms, she speaks   
A various language; for his gayer hours   
She has a voice of gladness, and a smile   
And eloquence of beauty, and she glides   
Into his darker musings, with a mild   
And healing sympathy, that steals away   
Their sharpness, ere he is aware. When thoughts   
Of the last bitter hour come like a blight   
Over thy spirit, and sad images   
Of the stern agony, and shroud, and pall,   
And breathless darkness, and the narrow house,   
Make thee to shudder, and grow sick at heart;—   
Go forth, under the open sky, and list   
To Nature’s teachings, while from all around— 
Earth and her waters, and the depths of air— 
Comes a still voice— 
                                       Yet a few days, and thee   
The all-beholding sun shall see no more   
In all his course; nor yet in the cold ground,   
Where thy pale form was laid, with many tears,   
Nor in the embrace of ocean, shall exist   
Thy image. Earth, that nourished thee, shall claim   
Thy growth, to be resolved to earth again, 
And, lost each human trace, surrendering up   
Thine individual being, shalt thou go   
To mix for ever with the elements,   
To be a brother to the insensible rock   
And to the sluggish clod, which the rude swain   
Turns with his share, and treads upon. The oak   
Shall send his roots abroad, and pierce thy mould.   
     Yet not to thine eternal resting-place   
Shalt thou retire alone, nor couldst thou wish   
Couch more magnificent. Thou shalt lie down   
With patriarchs of the infant world—with kings,   
The powerful of the earth—the wise, the good,   
Fair forms, and hoary seers of ages past,   
All in one mighty sepulchre.   The hills   
Rock-ribbed and ancient as the sun,—the vales   
Stretching in pensive quietness between;   
The venerable woods—rivers that move   
In majesty, and the complaining brooks   
That make the meadows green; and, poured round all,   
Old Ocean’s gray and melancholy waste,—   
Are but the solemn decorations all   
Of the great tomb of man. The golden sun,   
The planets, all the infinite host of heaven,   
Are shining on the sad abodes of death,   
Through the still lapse of ages. All that tread   
The globe are but a handful to the tribes   
That slumber in its bosom.—Take the wings   
Of morning, pierce the Barcan wilderness,   
Or lose thyself in the continuous woods   
Where rolls the Oregon, and hears no sound,   
Save his own dashings—yet the dead are there:   
And millions in those solitudes, since first   
The flight of years began, have laid them down   
In their last sleep—the dead reign there alone. 
So shalt thou rest, and what if thou withdraw   
In silence from the living, and no friend   
Take note of thy departure? All that breathe   
Will share thy destiny. The gay will laugh 
When thou art gone, the solemn brood of care   
Plod on, and each one as before will chase   
His favorite phantom; yet all these shall leave   
Their mirth and their employments, and shall come 
And make their bed with thee. As the long train   
Of ages glide away, the sons of men,   
The youth in life’s green spring, and he who goes   
In the full strength of years, matron and maid,   
The speechless babe, and the gray-headed man—   
Shall one by one be gathered to thy side,   
By those, who in their turn shall follow them.   
     So live, that when thy summons comes to join   
The innumerable caravan, which moves   
To that mysterious realm, where each shall take   
His chamber in the silent halls of death,   
Thou go not, like the quarry-slave at night,   
Scourged to his dungeon, but, sustained and soothed   
By an unfaltering trust, approach thy grave,   
Like one who wraps the drapery of his couch   
About him, and lies down to pleasant dreams.